Both the Watts riots and the death of Meredith Hunter at the Altamont Speedway Free Festival signified an end to a 1960s, California-style counterculture based on peace, love, and happiness. The succeeding decade would become synonymous with smog, congestion, and crime, until the resurgence of Los Angeles on a global stage at the 1984 Olympics. In this collection of essays, Kukoff (Children of the Canyon) reclaims the seemingly lost decade of L.A.’s history through the voices of those who labored in obscurity in its stretches of concrete and streetlights. From actor/producer Del Zamora’s piece detailing the importance of the Brown Berets and the Chicano movement to Doors drummer John Densmore reflecting on the importance of the band’s L.A. Woman billboard at the entrance to Laurel Canyon, this collection captures the diversity, creativity, and ever-present weirdness that continues to define La-La Land. VERDICT Below a hazy L.A. sunset, Kukoff peels back the Hollywood façade and shows a city thriving with creativity and revolutionary action under a Nixon presidency.