Happy to accept an invitation to serve a two-year term on the Data Discovery Collaboration Advisory Board.
The Data Discovery Collaboration (DCC) is a multi-institutional consortium that works together in order to address concerns around data discovery through discussions of metadata, outreach, software development, and systems and metadata interoperability.
Thirty individuals have been selected to participate in the 2022 Leading Change Institute (LCI), to be held in Washington DC July 10–15. Jointly sponsored by CLIR and EDUCAUSE, LCI is designed for leaders in higher education, including CIOs, librarians, information technology professionals, and administrators, who want to work collaboratively to promote and initiate change on critical issues affecting the academy. These issues include new sources of competition, use of technology to support effective teaching and learning, distance learning, changing modes of scholarly communications, and the qualities necessary for leadership.
Participants will join deans Joanne Kossuth and Elliott Shore along with other thought leaders from the community in discussing approaches to these challenges, including ideas for collaboration, collective creativity, and innovation within and across departments, institutions, and local or regional boundaries; the conceptualization of blended positions and organizations; and the importance of community mentorship and advocacy.
I had the great pleasure of discussing Dana Spiotta’s new novel, Wayward, with a great roundtable of faculty. You can listen to a snippet here.
If you scroll ahead to the 16:00 mark, you might just hear a question from yours truly.
“HOT COMPOST is an all day durational broadcast event led by amazing Margaretha Haughwout and team in Hamilton, NY. It’s art, it’s gardening/permaculture/compost, it’s about changing systems and transforming shit into something that can grow and nourish.” ~ Thea Quiray Tagle
We were happy to be part of this event on election day 2020!
In her debut novel, Three Apples Fell from Heaven, Marcom explored the traumatic aftermath of the Armenian genocide through the imagined thoughts and feelings of those left behind. Here, she pens a poetic reflection on deportation, immigration, and the abstract notion of home. The story follows Emilio, a young Guatemalan American college student who is deported and must make his way back to his family in California. Written in the third person, the narrative unfolds through Emilio’s inner thoughts as he moves with bands of immigrants across the landscape of Mexico. Enduring the endless brutality of the terrain, as well as a recurring cycle of violence at multiple stops along the journey, Emilio finds solidarity with his fellow travelers and begins to dissociate from his long-understood identity as an American. Interwoven into each section of the narrative are his memories of the past and his dreams for the future, which slowly evolve into the singular present. Marcom has penned a lyrical mediation on being and becoming, identity and anonymity, and the ambiguity of place.
Nucleus – Deploying Research Data Management Infrastructure At The Los Alamos National Laboratory
Brian Cain, Martin Klein, and Joshua Finnell
Reference Librarianship & Justice: Critical Interventions
Book Launch Celebration and Discussion
Friday, March 8
1:00 p.m. – 5:00 p.m.
Happy hour with beer, wine, non-alcoholic beverages, and snacks to follow
Join us for a half day event to celebrate the recent publication of Reference Librarianship & Justice: History, Practice and Praxis.
METRO Library Council, along with the book’s editors, are hosting a dialogue and happy hour to continue the conversation on the history, application, and critical dimensions of reference services.
In the book and in this event, we stake out and explore the terrain of a critical, social-justice oriented, purposeful, and engaged reference practice. How and when do reference work and justice work overlap? What steps can be taken to further a reference practice that seeks justice? These questions, among many others, will be discussed through panels, lightning rounds, and breakout sessions.
1:15 p.m. – 1:55 p.m.
Panel Discussion: Social Justice and Reference
Panelists: Kate Adler, Ian Beilin, and Eamon Tewell
2:00 p.m. – 2:45 p.m.
Presentations & Panel Discussion: Reference Services and Incarcerated People
Panelists: Mia Bruner, Joshua Finnell, and Emily Jacobson
2:45 p.m. – 3:00 p.m.
3:00 p.m. – 3:55 p.m.
Lightning Rounds: The History and Praxis of Reference and Justice
Speakers: Jeff Hirschy, Michelle Nitto, Carrie Forbes, and Haruko Yamauchi
4:00 p.m. – 5:00 p.m.
Breakout Sessions: Exploring the Practice of Reference and Justice
Facilitator: Julia Marden
5:00 p.m. – 7:00 p.m.
Happy hour with beer, wine, non-alcoholic beverages, and snacks
Had a great time selecting this year’s best literary fiction titles for Library Journal.
It’s here! Reference Librarianship & Justice: History, Practice & Praxis, edited by @xsublibrarian @ibeilin & me. You can find more info at @LibJuicePress: https://t.co/X9O1RtDqd2 and order it here! https://t.co/cphVJjePuC #critlib pic.twitter.com/GOW1rZHRev
— Eamon Tewell (@EamonTewell) October 1, 2018
A truly inspiring week at #lial2018.
Powers’s debut novel, The Yellow Birds, a National Book Award finalist, offered a poignant rumination on America’s reverence for patriotism but simultaneous amnesia regarding the lives of deployed soldiers in a story drawn from the author’s own experience as an Iraq War veteran. This second novel, set in Powers’s hometown of Richmond, VA, probes the grip of traumatic memory in the aftermath of the Civil War. While former Confederate soldiers roam the backdrop of this work with conflicting convictions dictating their actions in a newly liberated South, former slaves are navigating the concept of freedom within the lingering structures of oppression. Meanwhile, a former plantation owner tries to harness Reconstruction to his advantage only to discover that redemption will not be his fate. Returning to this land, almost 100 years later, a man born shortly after the end of the war struggles to claim his memories of home. VERDICT A masterly meditation on our unbreakable connection to a world predicated on cyclical violence.
In his debut novel, All the Sad Young Literary Men, Gessen penned a passing nod to F. Scott Fitzgerald with an autobiographical tale of three writers struggling to turn their literary ambitions into a lasting legacy. Similar themes from Gessen’s life emerge here, as the author ruminates on the complexities of his homeland from the perspective of floundering academic and Russian expat Andrei Kaplan. With few job prospects and the high cost of living in New York City, Andrei returns to Moscow, his birthplace, to care for his grandmother, improve his hockey skills, and decide whether the academic life is worth the trouble. Navigating Russian culture as he moves between his grandmother’s recollections of the USSR and his newfound revolutionary friends, he is caught between the ideologies of Putin’s Russia and the Western liberalism that underpinned both his upbringing and his education. When the possibility of a romantic relationship presents itself, Andrei discovers his own narrative paralleling that of Mother Russia: cling to a past that is gone or strive for a future that may never materialize? VERDICT With wit and humor, Gessen delivers a heartwarming novel about the multitudinous winding roads that lead us home.
Standing as silent witnesses to our interweaving genealogies, cyclical wars, and collapsing empires, trees contain our collective history in addition to our climate record. Here, the acclaimed Powers (Orfeo; The Time of Our Singing) employs literary dendrochronology to weave the stories of nine strangers connected through their collective action in preventing a forest from falling to industrial harvesting and ruination. From a chestnut in Iowa to a banyan in Vietnam, trees function as a central theme for each character’s backstory. As a corollary, foliage becomes a multivalent symbol of family struggle, divine intervention, and community. Just as Douglas firs connect their underground root structures to provide mutual support and protection, each character moves across disparate landscapes to find him- or herself joined in solidarity against an unstoppable force of environmental destruction. VERDICT Whereas Powers dissected the human brain’s mysterious capacity to prescind subject from object in his National Book Award—winning The Echo Makers, here he pens a deep meditation on the irreparable psychic damage that manifests in our unmitigated separation from nature.
Seeding the Future: The Innovation in Libraries Awesome Foundation Chapter (Symposium on the Future of Libraries)
Saturday, February 10
1:30 PM – 2:30 PM
Saturday, February 10
4:30 PM – 6:00 PM
Satire at its best is constructive social criticism, and Miles (Dear American Airlines; Want Not) is perfecting this craft in the 21st century. Outside a convenience store in Biloxi, MS, Cameron Harris waits in his wheelchair while his sister runs in to buy beer. Cameron is an alcoholic. Cameron is a paraplegic. Cameron is a veteran of the war in Afghanistan. And, on this day, as he stands up and begins to walk, Cameron becomes a miracle. His hermetic life is soon turned upside down with floods of prayer requests and a reality television crew following him around. While Cameron’s doctor searches for a scientific explanation for his recovery in the medical literature, the Vatican dispatches an officer from the Congregation for the Causes of the Saints to open an investigation. As the world focuses on the mystery of his recovery, Cameron struggles to conceal a long-held secret that complicates our understanding of divine agency. VERDICT With sincerity and wit, Miles pens a strong, sardonic rumination on the religious boundaries of the miraculous.
Throughout his decorated literary career, Wideman (Sent for You Yesterday; Philadelphia Fire) has compiled an extended meditation on how we are able to heal by transmuting personal and historical facts into constant reimagining. This sprawling collection of short stories is an unapologetic resurrection of those facts in today’s political climate, with Wideman’s introduction addressed directly to the president of the United States. The author returns to the streets of Pittsburgh and his childhood memories, envisions a conversation between John Brown and Frederick Douglass, and probes the popular culture we use to escape, forget, and grieve. Each story is a parallel universe just out of reach, with the whole assembled like shards of broken glass. Interspersing pieces that include microfictions like “Bunny and Glide” and prose poems like “Snow,” Wideman elucidates loneliness and helplessness with lyrical economy and rhythmic sadness. VERDICT A deeply personal collection of stories illuminating the thinning and cyclical threads of history that both sustain us and tear us apart.
With the premiere of The Deuce on HBO, interest in the work of David Simon has been reignited, and The Wire is his magnum opus. Journalist and author Abrams (Boys Among Men) delves deep into the show’s creation and enduring legacy through interviews with the actors, writers, and producers who brought the show to life. Whether it’s Dominic West reflecting on the allure of his character Detective James McNulty or actor Michael B. Jordan discussing the lasting impression of being in an ensemble cast of primarily black actors, Abrams underscores the indelible mark the show has left on actors and audience alike. Weaving all the interviews together is the enduring connection between the city of Baltimore and the creators of the show, a city that David Simon and the writers of The Deuce recently visited for inspiration. VERDICT Building upon Rafael Alvarez’s The Wire: Truth Be Told, the author further underscores the reasons why the show is often referred to as the greatest of all time.
One of Australia’s greatest authors, two-time Booker Prize winner Carey (Oscar and Lucinda; True History of the Kelly Gang) has drawn inspiration from his native country throughout his career, weaving historical and fantastical tales ranging from the 1942 Battle of Brisbane to transporting a glass church from Sydney to Bellingen. Here, he uses the famous Redex Trial, a cross-country car race, to probe the unfurling legacy of colonialism in 1950s Australia. Desperate to acquire his own dealership, Titch Bobs sees both fame and financial windfall in winning the Redex Trial. With wife Irene as his copilot and neighbor Willie as navigator, he sets off across Australia’s unfinished roads and rural landscape. While Titch remains intensely focused on winning the race, Irene and Willie uncover painful personal histories along the way that intertwine with Australia’s forgotten people and communities. VERDICT Carey employs both a multivoice narrative and a continent-spanning car race to emulate the disparate voices and fits and starts that comprise Australia’s history.